Epic of Gilgamesh, Tablet VI (Ishtar and the Bull of Heaven): tablet K.231
Introduction
Tablet VI of the Epic of Gilgamesh (Standard Babylonian version, attributed to Sin-leqi-unninni) as it survives on one physical object: British Museum tablet K.231 (K.231, six columns), excavated at Nineveh from the library of Ashurbanipal (7th c. BCE). It is manuscript A₁ in A. R. George's 2003 edition. The photograph is the British Museum's, showing the inscribed face(s) and edges; column(s) i, ii, iii, iv, v, vi are preserved (144 lines).
Three criteria are met for every section:
- Manuscript scan: the British Museum photograph of K.231 itself (served by the Electronic Babylonian Library, LMU Munich). Each section names the column and face (obverse = columns i-iii, reverse = columns iv-vi) and the tablet's own line numbers, so the reader can find the lines on the photograph.
- Original text: the eBL manuscript-level ATF transliteration of the signs on this tablet (not the composite text). Brackets [ ] mark broken signs, x an illegible sign, # a damaged sign. Superscript numbers are the modern line numbers of George 2003 / eBL.
- Public-domain English: R. Campbell Thompson, The Epic of Gilgamish (London, 1928), verbatim, with his marginal line numbers as T n.
On line numbers. Thompson's 1928 numbering is not George's. For this tablet the correspondence was established one anchor per Thompson marginal number by reading his verse against the Akkadian; sections are cut only at those anchors, so each section's English is the block of Thompson's lines that renders exactly these Akkadian lines. Where the tablet's text begins or ends inside a Thompson block, the whole block is given and the section says so. Thompson's readings reflect the state of knowledge in 1928: modern editions (George 2003; the eBL edition, updated continuously) supersede him and are not public domain, so they are not reproduced here beyond the transliteration of this tablet's signs.
How was this verified? (Provenance)
1[x x x x x x x x til-le-e?]-šu#
2[x x x x qim-ma]t-su e#-lu ṣe-r[i]-šu#
3[id-di m]ar-šu-ti-šu it-tal-bi-ša₂ za-ku-ti#-šu#
4[a-ṣa]-a#-ti it-tah-li-ba-am-ma ra-kis a-gu-u[h-h]a
5{d}GIŠ-gim₂-maš a-ga-šu₂ i-te-ep-ra-am-ma#
6a#-na du-un-qi₂ ša₂ {d}GIŠ-gim₂-maš i-na it-ta-ši ru-bu-tu₂ {d}15#
7[a]l-kam₂-ma {d}GIŠ-gim₂-maš lu-u₂ ha-ʾ-ir at-ta
8[i]n-bi-ka ia-a-ši qa-a-šu qi₂-šam-ma
9[a]t-ta lu-u₂ mu-te-ma ana-ku lu-u₂ aš₂-ša₂-at-ka
(Gilgamish is removing the stains of combat).
T 1(Now) is he washing his stains, (and) is cleansing his garments in tatters,
Braiding (?) (the locks of) his hair (to descend loose) over his shoulders,
Laying aside his garments besmirchen, (and) donning his clean ones,
Putting on armlets (?), and girding his body about with a baldric,
T 5Gilgamish bindeth his fillet, and girdeth himself with a baldric.
(Ishtar sees him and seeks to wed him).
(Now) Lady Ishtar espieth the beauty of Gilgamish: (saith she),
"Gilgamish, come, be a bridegroom, to me of the fruit (of thy body)
Grant me largesse: (for) my husband shalt be and I'll be thy consort.
10lu-ša₂-aṣ-mid-ka {giš}GIGIR {na₄}ZA.GIN₃ u₃ KU₃.SIG₁₇
11ša₂ ma-gar-ru-ša₂ KU₃.SIG₁₇-ma el-mi-šu₂ qar-na-a-ša₂
12lu-u₂ ṣa-am-da-ta UD-MEŠ ku-da-nu GAL-MEŠ
13a#-na E₂-ni i-na sa-am-ma-ti {giš}EREN er-ba
14[a-n]a E₂-ni i-na e-re-bi-ka
15[x x] a-rat-tu-u₂ li-na-aš₂-ši-qu GIR₃+MIN-ka
16[lu kam-s]u ina šap-li-ka LUGAL-MEŠ IDIM-MEŠ NUN-MEŠ
17[x x x l]i-qit KUR-i u KUR lu-u na-šu-nik-ka bil-tu
18[UZ₃-MEŠ-k]a tak-ši-i U₈-MEŠ-ka tu-ʾ-a-mi li-li-da
19[x x x x b]il-ti {anše}KUNGA li-ba-ʾa
T 10O, but I'll furnish a chariot for thee, (all) azure and golden,
Golden its wheel, and its yoke precious stones , each day to be harness'd
Unto great mules: (O), enter our house with the fragrance of cedar.
T 15(So) when thou enterest into our house shall threshold and dais
Kiss thy feet, (and) beneath thee do homage kings, princes, and rulers,
Bringing thee yield of the mountains and plains as a tribute: thy she-goats
Bring forth in plenty, thy ewes shall bear twins, thy asses attaining
20[ANŠE.KUR.RA-k]a ina {giš#}GIGIR lu-u₂ ša₂-ru-uh la-sa-m[u]
21[x x i]na ni-i-ri ša₂-ni-na a-a ir-š[i]
22[{d}GIŠ-gim₂-maš] pa-a-šu₂ i-pu-uš-ma DUG₄.GA#
23[i-zak-ka-r]a a-na ru-bu-ti {d}iš#-tar
24[ul-tu-ma ana-k]u? a-na ka-a-ši ah-h[a-z]u-ki
25[x x x x-š]i? pag-ri u₃ ṣu#-ba-a-ti
26[x x x x x] ku-ru-um-ma-ti u₃ [b]u-bu-ti
27[x x x x x a]k-la si-ma[t DI]NGIR-u₂-ti
28[ku-ru-un-na ta-šaq-q]a-a si-m[at L]UGAL-u₂-ti
29[x x x x x x (x) l]u-u-ʾ-il
T 20(Each) to the size of a mule, (and) thy steeds in thy chariot winning
Fame for their gallop: [thy mules ] in the yoke shall ne’er have a rival."
[Gilgamish] open’d his mouth in reply, Lady Ishtar [to answer]:
"Aye, but what must I give] thee, (if (?)) I should take thee in marriage?
T 25[I must provide thee with oil] for (thy) body, and clothing: (aye, also)
[Give thee (thy)] bread and (thy) victual: (sooth), must be sustenance [ample]
Meet for divinity—[I, (too), must give thee (thy) drink] fit for royalty.
30[x x x x x x x x] lu#-u#-uš-pu-uk
31[... it-tah-l]i-pa na-ah-lap-tu
32[x x x x ka-a-š]i? ah-ha-az-ki
33[x x x x x ka-ṣi-ra]t šu-ri-pu
34[x x x x x x la i]-kal-lu-u₂ IM u zi-i-qa
35[x x x x x x x] qar-ra-di
36[x x x x x x x x] ku-tum₃-mi-ša₂
37[x x x x x x x x (x x)] na-ši-ša₂
38[x x x x x x x x] na-ši-ša₂
39[x x x x x x x x] BAD₃ NA₄
T 30. . . . I shall be bound, . . . let us amass (?), . . . clothe with a garment.
[What, then, will be my advantage, supposing) I take thee in marriage?
[Thou’rt but a ruin which giveth no shelter (?) to man] from the weather,
Thou’rt but a back door [not] giving resistance to blast or to windstorm,
T 35Thou’rt but a palace which dasheth the heroes [within it to pieces],
Thou’rt but a pitfall (which letteth) its covering [give way (all treach’rous)],
Thou art but pitch which [defileth] the man who doth carry it with him,
Thou’rt but a bottle which [leaketh] on him who doth carry it with him,
Thou art but limestone which [letteth] stone ramparts [fall crumbling in ruin].
40[x x x x x x x x x x] KUR nu-kur₂-ti
41[x x x x x x x GIR₃+MIN-ME]Š be-li₂-ša₂
42[x x x x x x x i-bu]r ana da-riš
43[x x x x x x x x x x] i-lu-u₂
44[x x x x x x x mi-na-t]a ha-ar-mi-ki
T 40Thou’rt but chalcedony [failing to guard (?)] in an enemy's country,
Thou’rt but a sandal which causeth its owner [to trip (by the wayside)].
Who was ever [thy] husband [thou faithfully lovedst] for all time?
Who hath been ever thy lord who hath gain’d [over thee the advantage?
Come, and I will unfold thee [the endless tale] of thy husbands.
45ša₂ bu-di-im-ma x ta x [x x x]
46a-na {d}dumu-zi ha-mi-ri ṣ[u]-u[h-re-ti-ki]
47šat-ta a-na šat-ti bi-tak-ka-a tal#-ti-m[eš-šu]
48al-la-la₂ bit-ru-ma ta-ra-m[i-ma]
49tam-ha-ṣi-šu-ma kap-pa-šu tal-te-eb-[ri]
T 45(Sooth), thou shalt vouch (?) for the truth (?) of (this) list—Thy maidenhood's consort,
Tammuz, each year dost make him the cause of Wailing , (then cometh
Next) the bird Roller gay-feather’d thou lovedst, and (yet) thou didst smite him
50iz-za-az ina qi₂-ša₂-tim i-šas-si kap-pi
51ta-ra-mi-ma UR.MAH ga-mi-ir e-mu-qi₂
52tu-uh-tar-ri-iš-šu₂ 7 u 7 šu-ut-ta-a-ti
53ta-ra-mi-ma ANŠE.KUR.RA na-ʾ-id qab-li
54iš-tuh-ha ziq-ti u dir-ra-ta tal-ti-meš-šu
557 DANNA la-sa-ma tal-ti-meš-šu
56da-la-hu u₃ ša₂-ta-a tal-ti-meš-šu
57a-na AMA-šu₂ {d}si-li-li bi-tak-ka-a tal-ti-me
58[t]a-ra-mi-ma {lu₂}SIPA TA BU LA
59[x k]a-a-a-nam-ma tu-um-ri iš-pu-kak-ki
T 50Breaking his wing: in the grove doth he stand, crying kappi 'my wing!'
Lovedst thou also a Lion, in (all) the full strength of (his) vigour,
(Yet) thou didst dig for him seven and seven (deep) pits (to entrap him).
Lovedst thou also a Stallion, magnificent he in the battle,
Thou wert the cause of a bridle, a spur, and a whip to him: (also)
T 55Thou wert the cause of his fifty miles galloping; thou wert the cause, too,
(Eke), of exhaustion and sweating (?); (thereafter), ’twas thou who didst (also)
Unto his mother Silili give cause for (her deep) lamentation.
Lovedst thou also a Shepherd, a neatherd, for thee without ceasing
60[u₄-m]i-šam-ma u₂-ṭa#-ba-ha-ak-ki u₂-ni-qe₂-ti
61[tam-h]a-ṣi-šu-ma a-na UR.BAR.RA tu-ut-ter-ri-šu
62u₂#-ṭa-ar-ra-du-šu# ka-par-ru ša₂ ram#-ni-šu
63u UR.GI₇-MEŠ-šu u₂-na-aš₂-ša₂-ku šap-ri-šu
64ta-ra-mi-ma i-šu-ul-la-nu {lu₂}NU.{giš}KIRI₆ AD-ki
65ša ka-a-a-nam-ma šu-gu-ra-a na-šak-ki
66u₄-mi-šam-ma u₂-nam-ma-ru pa-aš₂-šur-ki
67i-na ta-at-ta-ši-šum-ma ta-tal-kiš-šu
68i-šu-ul-la-ni-ia kiš-šu-ta-ki i ni-kul
69u qat-ka liš-te-ṣa-am-ma lu-pu-ut hur-da-at-ni
T 60Each day to sacrifice yeanlings for thee would heap thee his charcoal,
(Yet) thou didst smite him, transforming him into a jackal: his herd boy
Yea, his own herd boy drove him away, and his dogs tore his buttocks.
Lovedst thou, too, Ishullanu, the gardener he of thy sire,
T 65Bringing delights (?) to thee ceaseless, while daily he garnish’d thy platter;
’Twas for thee only to cast thine eyes on him, and with him be smitten .
'O Ishullanu of mine, come, let me taste of thy vigour,
Put forth thy hand, too, . . . . . . . . . . '
70i-šu-ul-la-nu i-qab-bi-ki
71ia-a-ši mi-na#-a ter-re-ši-in-n[i]
72um-mi la te-pa-a a-na-ku la a-kul
73ša₂ ak-ka-lu NINDA-HI.A pi-ša₂-a-ti u er-re-e-ti
74ša₂ ku-uṣ-ṣi el-pe-tu ku-tum₃-mu-u₂-a#
75at-ti taš-mi-ma an-na-a qa#-[ba-a-šu]
76tam-ha-ṣi-šu a-na dal-la-li tu-ut-[ter-ri-šu]
77tu-še-ši-bi-šu-ma ina qa-bal ma-na-[ha-(a)-ti-šu]
78ul e-lu-u₂ mi-ih-ha ul a-rid da-l[u-x x x x]
79u ia-a-ši ta-ram-min₃-ni-ma ki-i ša₂-šu-nu t[u-tar-rin-ni?]
T 70But he, Ishullanu,
Said to thee 'What dost thou ask me? Save only my mother hath baked (it),
Nought have I eaten—(and) what I should eat would be bread of transgression,
(Aye) and iniquity! (Further), the reeds are a cloak against winter. '
T 75Thou this [his answer] didst hear, didst smite him and make him a spider(?) ,
Making him lodge midway up a [dwelling(?)] —not to move upwards
Lest there be drainage ; nor down, lest a crushing [o’erwhelm him].
So, too, me in my turn thou wouldst love and (then) [reckon] me like them."
80{d}iš-tar an-na-a ina [še-me-e-ša₂]
81{d}iš-tar ug-gu-gat-ma a-na ša₂-ma-mi [i-li]
82il-lik-ma {d}iš-tar ana IGI {d}a-ni[m x x x x x]
83ana IGI an-tu₄ AMA-ša₂ il-l[a-ka x x x x]
84a-bi {d}GIŠ-gim₂-maš it-ta-a[z-za-ra-an-ni]
T 80[Heard] this (then) Ishtar: she burst into rage and [went up] to Heaven,
Hied her (thus) Ishtar to Anu, [her father], to Antu, her mother,
T 85Came she [to tell (them)]: "O father, doth Gilgamish load me with insult,
Gilgamish tale of my sins, my sins and iniquities telleth."
Anu made answer, (thus) speaking, and said unto Ishtar the Lady:
"Nay, thou didst ask him [to grant thee largesse of the fruit of his body],
Thompson's numbered block(s) extend after the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
92{d#}i[š-tar x x x x x x x x]
93MU-r[a x x x x x x x x]
94a-bi [x x x x x x]
95{d}GIŠ-[gim₂-maš x x x x x x x]
96šum-m[a x x x x x x x x]
97a-mah-[haṣ? x x x x x x x x
98a-šak-[kan x x x x x x x x]
99u₂-š[el-lam-ma x x x x x x x x x]
T 90(Hence) he the tale of thy sins, thy sins and iniquities telleth."
(The Creation of the Divine Bull which is to destroy the heroes).
Ishtar made answer (thus) speaking, and said unto [Anu, her father]:
"Father, O make (me) a Heavenly Bull, which shall Gilgamish [vanquish],
T 95Filling [its body] with flame . . . .
But if thou’lt [not] make [this Bull], then . . . .
I'll smite . . . ., I'll put . . . ., I'll . . . .
Thompson's numbered block(s) extend before the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
100UGU [x x x x x x x x x]
101{d}a#-[num x x x x x x x x x]
102MU-[ra x x x x x x x x]
103š[um-ma x x x x x x x x]
104x [x x x x x x x x x x x x x]
T 100More than the . . . will be the . . . . . . .
Anu [made answer, (thus) speaking, and said unto] Ishtar, the Lady:
"[If I the Heavenly Bull shall create, for which] thou dost ask me,
(Then) seven years of (leer) husks [must needs follow after his onslaught (?)].
125i[š-hi-ṭam-ma x x x x x x x x x x x x x x]
126G[U₄.AN.NA x x x x x x x x x]
127ina ku-bur [x x x x x x x x x x x]
128{d}+en-ki-[du₃ x x x x x x x x x]
129MU-r[a x x x x x x x]
130ib-r[i x x x x x x x x x]
131k[i-i x x x x x x x x x]
132i[b-ri x x x x x x x x x x x x]
135a-na ku-[tal x x x x x x x x]
T 130Enkidu girded (?) his middle; (and straightway) Enkidu, leaping,
Seized on the Heavenly Bull by [his] horns, and (headlong) before him
Cast down the Heavenly Bull his full length, . . . .
(Aye), by the thick of his tail.
(Gap of thirteen mutilated lines.)
Thompson's numbered block(s) extend before and after the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
145u₃ {d}GIŠ-gim₂-maš ki-i {lu₂#}[GIR₂.LA₂ (x x)] | qar-di u₃# [le-ʾ-i]
146ina bi-rit ti-ik-ki qar-ni u₃ n[ap-la-ki x x x x]
147iš-tu a-la-a i-na-ru
148lib₃-b[a-šu₂ x x x x] | a-na IGI {d}UTU i[š-tak-nu]
T 147Chased him did Enkidu, . . . the Heavenly Bull . . .
Seized him and by [the thick] of his tail . . . .
(Gap of about fourteen mutilated lines in which the Bull is slain.)
T 153(So), what time they the Bull of the Heavens had kill’d, its heart they removéd,
Unto the Sun-god they offer’d in sacrifice; when the libation
Thompson's numbered block(s) extend before the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
149i-re-qu-nim-ma ana pa-an {d}UTU [x x x]
150it-taš-bu aha₂-meš ki-[lal-la-an]
151i-li-ma {d}iš-tar ina UGU BAD₃ ša₂ UNUG{ki} su#-[pu-ri]
152iš-hi-iṭ hup-pa it-ta-di a-ru-ru-[ta]
153al-lu-u₂ {d}GIŠ-gim₂-maš ša₂ u₂-ṭap-pil-an-ni GU₄.AN.NA id-d[uk]
154iš-me-ma {d}+en-ki-du₃ an-na-a qa-bi {d}iš-t[ar]
155iš-lu-uh i-mit-ti GU₄.AN.NA-ma ana IGI-ša₂ id-di
T 155Unto the Sun they had voided, they sate them down, the two brothers.
(The Frenzy of Ishtar).
(Then) mounted Ishtar (the crest of) the ramparts of Erech, the high-wall’d,
(So) to the roof-top ascended, (and there) gave voice to her wailing;
T 160"Woe unto Gilgamish—he who by killing the Bull of the Heavens,
Made me lament." When Enkidu heard this, the shrieking of Ishtar,
Wrenching the member from out of the Bull, he toss’d (it) before her;
156u ak-ka-ši lu-u₂ ak-šu-ud-ki ki-i ša₂-šu-ma | lu-u₂ u₂-še-mi-ki
157er-ri-šu lu a-lu-la ina a-hi-ki
158up-tah-hi-ir {d}iš-tar ke-ez-re-e-ti | {munus}šam-ha-a-ti u {munus}KAR.KID-MEŠ
159ina UGU i-mit-ti GU₄.AN.NA bi-ki-ta iš-kun
160is-si-ma {d}GIŠ-gim₂-maš um-ma-na kiš-kat₃-te-e | ka-la-ma
161ku-bur qar-ni-šu u₂-na-ʾa-du DUMU-MEŠ um-ma-nu
162[3]0 ma-na.AM₃ {na₄}ZA.GIN₃ ši-pi-ik-ši-na
163[š]in-nu u₂-ba-ne₂-e ta-ha-ba-tu-ši-na
T 165"If I could only have reach’d thee, i’faith, I’d ha’ served thee the same way,
I’d ha’ let dangle his guts on thy flanks (as a girdle about thee)."
Ishtar assembled the girl-devotees, the hetaerae and harlots,
Over the member (torn out) from the Bull she led the lamenting.
(The Triumph of Gilgamish).
T 170Gilgamish call’d to the masters of craft, the artists, (yea), all of them,
That at the size of its horns (all) the guilds of the crafts speak their praises
Each had of azure in weight thirty minas to be as their setting,
Two fingers their . ... ... . . . . . . . . . . .
1646 GUR I₃.GIŠ ṣi-bit ki-lal-le-e
165ana piš-šat DINGIR-šu₂ {d}lugal-ban₃-da i-qiš
166u₂-še-ri-im-ma i-ta-lal ina ur-ši ha-am-mu-ti-šu
167ina {id₂}pu-rat-ti im-su-u₂ qa-ti-šu₂-un
168iṣ-ṣab-tu-nim-ma il-la-ku-ni
169su-qa ša₂ UNUG{ki} rak-bu-u₂-n[i]
170pah-ra UN-MEŠ ša₂ UNUG{ki} i-dag-g[a-l]a-[šu-nu-ti]
171{d}GIŠ-gim₂-maš a-na mut-tab-bi-la-ti [x x] | INIM M[U-ra]
T 175Both of them held six measures of oil; to his god Lugal-banda
He for (his) unguent devoting, brought in, and (thus) let them hang (there),
(There) in the shrine of his forbears.
(And now) in the River Euphrates
Washing their hands, they start (on their progress) and come (to the city);
(Now) are they striding the highway of Erech, the heroes of Erech
T 180Thronging (about them) to see them. (Then) Gilgamish utter’d a riddle
Unto the notables (?):
Who, pr’ythee, is most splendid of heroes,
Who, pr’ythee, is most famous of giants?
Gilgamish—he is most splendid of heroes,
Thompson's numbered block(s) extend after the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
172[x x x x x x] i-na GURUŠ-MEŠ
173[x x x x x x x] i-na zik-ka-ri
174[x x x x x x] ina GURUŠ-MEŠ
T 180Thronging (about them) to see them. (Then) Gilgamish utter’d a riddle
Unto the notables (?):
Who, pr’ythee, is most splendid of heroes,
Who, pr’ythee, is most famous of giants?
Gilgamish—he is most splendid of heroes,
Thompson's numbered block(s) extend before the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
175[{d}GIŠ-gim₂-maš ša₂-ru-uh] i-na zik-ka-ri
176[x x x x x x x x in]a uz-zi-ni
177[x x x x x x x mu-ṭap₃-pi-l]a ul i-šu
178[x x x x x x x x x x x] x-ti-šu
179[x x x x x x x x x x iš-ta]-kan hi-du-tu
180[x x x x x ma]-a-a-al mu-ši ṣal-lu
181[x x x x x x] šu-na-ta i-na-aṭ₂-ṭal
182[x x x x x x x x] šu-na-ta i-pa-šar
T 185[Enkidu—he is most] famous of giants.
(Three mutilated lines follow.)
T 190So in his palace did Gilgamish hold high revel: (thereafter),
(While all) the heroes asleep, on their nightly couches were lying
Enkidu, too, was asleep, and a vision beheld, and (so) coming
Enkidu (now) his dream to reveal: (thus) spake he unto his comrade.
Thompson's numbered block(s) extend after the lines preserved on this tablet; the whole block is given so that no English line is cut mid-block.
Cite
Source & Cross-References
- Source text: British Museum K.231 photograph via eBL + eBL manuscript ATF (L.1.4 SB VI) + R. Campbell Thompson 1928 — view original
- Critical edition: Electronic Babylonian Library manuscript transliteration (CC BY-NC-SA 4.0)
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